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Rogue One is a complete film in a way that no other Star Wars movie other than A New Hope is capable of being. It’s a triumphantly thrilling, serious-minded war movie that is incalculably stronger for the fact that it’s NOT the first chapter in a new franchise. Gareth Edwards’ venture into a galaxy far, far away is the Star Wars film we never knew we needed. But the point is this: There was at least reasonable cause to doubt that the magic of Star Wars could survive outside the world of the “Episodes.”įear not, for Rogue One is here to allay those concerns. If they thought that there was money to be made in opening an actual Imperial Academy and training little kids to fire their blasters wildly in “Stormtrooper Marksmanship 101,” they’d almost certainly pull the trigger on that venture.
This is Disney, after all-they’re by no means averse to the business of making billions of dollars. I’m more of a journeyman player.”įollow The Times’ arts team One’: The L.A.When Rogue One: A Star Wars Story was announced as the first of several planned “Star Wars Anthology” films outside of the series’ main “Episode”-based chronology, fans could be forgiven if “cash-in” was the first phrase that swam to mind. “But then when I started doing it, it really became a different perspective for me and such a source of pride - but pride related to the fact that I’m included in an exclusive group of musicians.
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“Obviously, I knew about orchestras, I knew how to play in one, I knew about scoring orchestras,” he said. Mulroney sits in the back of the cello section as the 11th chair and just tries to keep up with the master artists around him. He got back into music in the mid-’90s as a member of the band Low & Sweet Orchestra, and he now plays and sings in the band Cranky George. but I’m really proud to play to my own pre-record.” Many of the players on the show are finger-synching to somebody else’s recording. And there it is: my copy, with my high school handwriting on it, that I haven’t looked at in 35 years. “I go to my garage,” he said, “and I still have my box of cello music from my high school years.
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Mulroney has had starring roles in film and TV since his breakout in the 1988 western “Young Guns” - roles ranging from the object of Julia Roberts’ desire in 1997’s “My Best Friend’s Wedding” to the man of the (haunted) house in last year’s “Insidious: Chapter 3.”Īt times, he’s brought his cello into the frame, as in the 1991 film “Samantha.” In his recent guest spots on Amazon’s “Mozart in the Jungle,” Mulroney introduced his musician character by playing the prelude to the Lalo concerto.
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I thought it was a stupid career path, because there’s no chance in hell that I would either be a professional musician or an actor.” “The truth is,” he said, “I thought both of those ideas were dead-end roads. He put the cello down after college, where he majored in film with an eye toward becoming a cinematographer. You can do it, but you need to start not practicing the half-hour or the hour - you need four hours of practice to get up.’ That scared me off, because I wanted to goof around with my friends after school.” “At 14,” Mulroney remembered, “Loran Stephenson said, ‘You need to decide now if you want to go to Eastman or Juilliard or or any of the top conservatories. He was on the precipice of a life in classical music but chose to step back.
As a student at Northwestern University, he performed in a college orchestra all four years and continued with private lessons while also acting in plays.
Mulroney won solo competitions as a teenager, often with Édouard Lalo’s cello concerto. “By the time I was a teenager, and I was really good, I remember wanting to practice, because it was something I excelled at.” “I think we must have been told to practice, or encouraged - but I don’t have any memory of being made to practice,” Mulroney said. He got to play under Leonard Bernstein during a student day at the Kennedy Center, where he regularly soaked up concerts featuring the symphony’s musical director, Russian cellist Mstislav Rostropovich. He played cello in the school orchestra and took private lessons from Loran Stephenson, a cellist in the nearby National Symphony Orchestra.
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